Konsep Dasar Postmemory Marianne Hirsch untuk Kajian Sastra
DOI:
https://doi.org/10.30595/pssh.v20i.1380Kata Kunci:
Postmemory, Marianne Hirsch, Trauma, Karya SastraAbstrak
Tulisan ini berusaha menjelajahi, mengabstraksi, dan menyimpulkan konsep-konsep dasar postmemory Marianne Hirsch dan kemudian menawarkan sebagai kajian sastra. Konsep-konsep dasar itu didasarkan pada dua bukunya yaitu Family Frames: Photography Narrative and Postmemory (2012), dan The Generation of Postmemory: Writing and Visual Culture After the Holocaust (2012). Penjelajahan itu juga merupakan upaya memahami kerangka teori/paradigma postmemory. Dari upaya pengabtraksian dapat ditemukan beberapa hal penting; postmemory selalu adalah mengenai memori trauma, sehingga kajiannya juga mengenai trauma; memori traumatis dapat ditransmisikan; memori traumatis tidak hanya yang terjadi dalam lingkup keluarga tetapi juga afiliatif (di luar keluarga); karya sastra yang dapat dikaji adalah karya sastra yang ditulis oleh generasi kedua pewaris trauma; yang diperlukan dari generasi kedua tersebut adalah investasi imajinasinya atas trauma (bukan fakta sejarahnya).
Referensi
Akhtar, S., & O’Neil, M. K. (Eds.). (2011). On Freud’s: “Beyond The Pleasure Principle.” London: Karnac Books & The International Psychoanalytical Association.
Baron, L. (2010). Holocaust and Genocide Cinema: Crossing Disciplinary, Genre, and Geographical Borders: Editor’s Introduction. Shofar, 28(4), 1–9. https://doi.org/10.1353/sho.2010.0029
Bayer, G. (2010). After Postmemory: Holocaust Cinema and the Third Generation. Shofar, 28(4), 116–132. https://doi.org/10.1353/sho.2010.0053
Craps, S., & Rothberg, M. (2011). Introduction: Transcultural Negotiations of Holocaust Memory. Criticism: Transcultural Negotiations of Holocaust Memory, 53(4), 517–521.
Delisle, J. B. (2013). “Iraq in My Bones”: Second-Generation Memory in The Age of Global Media. Biography - An Interdisciplinary Quarterly, 36(2), 376–391. https://doi.org/10.1353/bio.2013.0018
Erll, A. (2011). Locating Family in Cultural Memory Studies. Journal of Comparative Family Studies, 42(3), 303–318.
Fiorini, L. G., Bokanowski, T., & Lewkowicz, S. (Eds.). (2007). On Freud’s “Mourning and Melancholia.” London: Karnac Books & The International Psychoanalytical Association.
Frosh, S. (2019). Those Who Come After Postmemory: Acknowledgement and Forgiveness. London: Palgrave Macmillan.
Gjellstad, M. (2010). Picturing Family Histories: Torill Kove and Lene Ask. Scandinavian Studies, 82(4), 439–464.
Hayek, G. (2011). Rab? J?bir’s Bayr?t Trilogy: Recovering an Obscured Urban History. Journal of Arabic Literature, 42(2–3), 183–204. https://doi.org/10.1163/157006411X596140
Hirsch, M. (2012a). Familiy Frames: Photography Narrative and Postmemory. London: Harvard University Press.
Hirsch, M. (2012b). The Generation of Postmemory: Writing and Visual Culture after The Holocaust. New York: Columbia University Press.
Kuttenberg, E. (2011). Melitta Breznik’s Narration of Trauma, Absence, and Loss in Das Umstellformat and Nordlicht. Austrian Studies, 19, 173–186.
Levey, C. (2014). Of HIJOS and Niños: Revisiting postmemory in post-dictatorship Uruguay. History and Memory, 26(2), 5–39. https://doi.org/10.1353/ham.2014.0010
Levinson, H. (2015). Thinking Postmemory through Translation in Roberto Brodsky’s “Bosque Quemado.” Revista Canadiense de Estudios Hispanicos, 39(3), 589–611. https://doi.org/10.18192/rceh.v39i3.1627
Mih?ilescu, D. (2013). Being Without Pleasurable Memories: On the Predicament of the Shoah’s Child Survivors in Norman Manea’s “Proust’s Tea” and Kindred Narratives. American Imago, 70(1), 107–124. https://doi.org/10.1353/aim.2013.0003
Tournay-theodotou, P. (2014). “Love Letter to My Ancestors: ‘Representing Traumatic Memory in Jackie Kay’’’ s".’” Atlantis, 36(2), 161–182.
Tsai, M.-Y. (2014). A Poetics of Testimony and Trauma Healing in Anne Michaels’s Fugitive Pieces. Shofar, 32(3), 50–71. https://doi.org/10.4324/9781315853178
Ziino, B. (2010). “A Lasting Gift to His Descendants”: Family Memory and the Great War in Australia. History and Memory, 22(2), 125–146.
Unduhan
Diterbitkan
Cara Mengutip
Terbitan
Bagian
Lisensi
Hak Cipta (c) 2024 Proceedings Series on Social Sciences & Humanities
Artikel ini berlisensi Creative Commons Attribution 4.0 International License.
